Thursday, December 25, 2014

Two Minutes Left

Richard Sanderson of  experimental/improvised music label Linear Obsessional Recordings put out a call recently for tracks for a compilation album with only two rules: 'that the works had to be exactly two minutes long, and that at some point in the recording process a microphone should have been used'.

The outcome is 'Two Minutes Left', a collection of 87 tracks from all over the world, released this week. The tracks, as Richard says, 'are as diverse as it's possible to imagine- from full, immaculately produced studio works to hissy smartphone recordings- and throughout there are things to remind you that you're listening to real people in real places - birdsong, pets, breathing, conversation, and the location recordings run from the electrobabble of a Shanghai cab ride to the near silence of night on the Argentinian Pampas, to the sounds of the pub or a football match. In between are some gloriously recorded musical vignettes by some of the most extraordinary musicians around... it seems to me to be ultimately a celebration of being human, and a celebration of friendship and collaboration'.


'Two Minutes Left' is very much an international collaboration, but it also has its roots in South London, with Richard and the label based in Hither Green, and several of the tracks featuring local sound recordings. Richard's own Hither Green track, recorded in his back garden, is a reminder of the ubiquitous South London aircraft noise as well as capturing bird song. Birds - this time parakeets - also feature in Neil Gordon Orr's '120 Seconds Over Ladywell Fields', based on recordings of running round Ladywell athletics track. A music session in the Ladywell Tavern, with the Mixed Porter band playing Officers' Polka, was recorded by Kayleigh Shepherd on her
phone.

There's a recording of Blackheath Morris Men practicing at St Marks Church Hall in Greenwich, and a track from Brockley-based minimalist guitar ensemble the Broca Ensemble.

You can listen/download the whole thing here

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